Fifty Second Grade Studies by John Thompson voor piano 2e hands

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Fifty Second Grade Studies by John Thompson voor piano 2e hands Staat: Binnenzijde redelijk goed, omslag lelijk en licht beschadigd. TABLE OF CONTENTSNO.        1.    FIVE-FINGER LEGATO             Czerny        2.    TWO-NOTE SLURS                LeCouppey        3.    FIVE-FINGER LEGATO (used as ...Lees meer
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Fifty Second Grade Studies by John Thompson voor piano 2e hands

Staat: Binnenzijde redelijk goed, omslag lelijk en licht beschadigd.

TABLE OF CONTENTS
NO.        
1.    FIVE-FINGER LEGATO             Czerny        
2.    TWO-NOTE SLURS                LeCouppey        
3.    FIVE-FINGER LEGATO (used as Accompaniment)Löschhorn        
4.    BROKEN CFIORDS (phrased in Twos)  Gurlitt
5.    FIVE-FINGER ROLLING ATTACK        Czerny
6.    LEFT HAND MELODY PLAYING        Gurlitt 
7.    BROKEN CHORDS (divided between the Hands)Gurlitt
8.    FIVE-FINGER LEGATO            Kaler
9.    FIVE-FINGER GROUP USED AS MELODY. Gurlitt        
10.    FIVE-FINGER LEGATO (Left Hand)    Spindler
11.    FIVE-FINGER GROUP USED AS MELODY  Le,schhorn        
12.    BROKEN CHORDS (divided between the Hands)    J Thompson  
13.    RIGHT HAND SCALE FIGURES        Czerny
14.    DESCENDING SCALE FIGURES (Right Hand) Gurlitt
16.    SCALE FIGURES (Both Hands)        Khner    
17.    BROKEN CHORD AND SCALE FIGURES (Right Hand) Lemoine    
18.    WRIST STACCATO             Streabbog .             
19.    ALTERNATING LEGATO AND STACCATO        Czerny     
20.    LEGATO SCALE PASSAGES (Right Hand)        Bi ehl        
21.    BROKEN CHORDS (Rolling Attack)        Gurlitt     
22.    LEFT HAND ACCOMPANIMENT FIGURES        Kaler         
23.    MAZURKA                              Czerny         
24.    MIXED FIGURES (Legato)                    Wolff         
25.    BROKEN TRIADS (Legato)                    Kaler         
26.    BROKEN-CHORD PASSAGES (divided between the Hands)Mozart (from Sonata in C)
27.    CONTRASTING LEGATO AND STACCATO.         Czerny    
28.    STUDY IN STYLE (employing Scale Figures)    Duvernoy    
29.    STUDY IN STYLE                        Biehl        
30.    LEFT HAND BROKEN CHORDS (used as Accompaniment)    Mozart (from Sonata in C)
31.    MARCH (employing Lef t Hand Scale Figures)Berens. 
32.    DESCENDING BROKEN CHORDS (divided between the Hands)Berens    
33.    SCHERZINO (Study in Style)              Lemoine
34.    STRICT LEGATO.                        Burgmuller
35.    THE MORDENT                   Concone
36.    FROM RONDO IN C             Beethoven    
37.    STACCATO CHORDS             Concone.    
38.    STI/DY IN STYLE        ReineCke        
39.    FROM RONDO        Diabelli        
40.    MIXED CHROMATIC AND DIATONIC FIGURES        Lemoine    
41.    THE MORDENT             LeCouppey        
42.    SCHERZINO (Study in Style)        Lemoine.    
43.    SCALE PASSAGES        Beethoven (from Sonatina Op. 49, No. 2)
44.    Two-NoTE SLURS        Handel        
45.    LEFT HAND LEGATO PLAYING.             Czerny    
46.    STUDY IN STYLE        Burgml1er        
47.    FROM SCHERZO             Hummel            
48.    DIATONIC SWEEPS .         Berens (adapted)
49.    VARIATION ON THE MORDENT FIGURE        Duvernoy    
50.    FROM RONDO         Haydn        

 

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