Fifty Second Grade Studies by John Thompson voor piano 2e hands
Staat: Binnenzijde redelijk goed, omslag lelijk en licht beschadigd.
TABLE OF CONTENTS
NO.
1. FIVE-FINGER LEGATO Czerny
2. TWO-NOTE SLURS LeCouppey
3. FIVE-FINGER LEGATO (used as Accompaniment)Löschhorn
4. BROKEN CFIORDS (phrased in Twos) Gurlitt
5. FIVE-FINGER ROLLING ATTACK Czerny
6. LEFT HAND MELODY PLAYING Gurlitt
7. BROKEN CHORDS (divided between the Hands)Gurlitt
8. FIVE-FINGER LEGATO Kaler
9. FIVE-FINGER GROUP USED AS MELODY. Gurlitt
10. FIVE-FINGER LEGATO (Left Hand) Spindler
11. FIVE-FINGER GROUP USED AS MELODY Le,schhorn
12. BROKEN CHORDS (divided between the Hands) J Thompson
13. RIGHT HAND SCALE FIGURES Czerny
14. DESCENDING SCALE FIGURES (Right Hand) Gurlitt
16. SCALE FIGURES (Both Hands) Khner
17. BROKEN CHORD AND SCALE FIGURES (Right Hand) Lemoine
18. WRIST STACCATO Streabbog .
19. ALTERNATING LEGATO AND STACCATO Czerny
20. LEGATO SCALE PASSAGES (Right Hand) Bi ehl
21. BROKEN CHORDS (Rolling Attack) Gurlitt
22. LEFT HAND ACCOMPANIMENT FIGURES Kaler
23. MAZURKA Czerny
24. MIXED FIGURES (Legato) Wolff
25. BROKEN TRIADS (Legato) Kaler
26. BROKEN-CHORD PASSAGES (divided between the Hands)Mozart (from Sonata in C)
27. CONTRASTING LEGATO AND STACCATO. Czerny
28. STUDY IN STYLE (employing Scale Figures) Duvernoy
29. STUDY IN STYLE Biehl
30. LEFT HAND BROKEN CHORDS (used as Accompaniment) Mozart (from Sonata in C)
31. MARCH (employing Lef t Hand Scale Figures)Berens.
32. DESCENDING BROKEN CHORDS (divided between the Hands)Berens
33. SCHERZINO (Study in Style) Lemoine
34. STRICT LEGATO. Burgmuller
35. THE MORDENT Concone
36. FROM RONDO IN C Beethoven
37. STACCATO CHORDS Concone.
38. STI/DY IN STYLE ReineCke
39. FROM RONDO Diabelli
40. MIXED CHROMATIC AND DIATONIC FIGURES Lemoine
41. THE MORDENT LeCouppey
42. SCHERZINO (Study in Style) Lemoine.
43. SCALE PASSAGES Beethoven (from Sonatina Op. 49, No. 2)
44. Two-NoTE SLURS Handel
45. LEFT HAND LEGATO PLAYING. Czerny
46. STUDY IN STYLE Burgml1er
47. FROM SCHERZO Hummel
48. DIATONIC SWEEPS . Berens (adapted)
49. VARIATION ON THE MORDENT FIGURE Duvernoy
50. FROM RONDO Haydn